Audrey Miller (Julianne Moore) is New York's finest female divorce attorney,
keeping herself in line by avoiding men and hanging out with her youth-obsessed
mother (Frances Fisher). When she finds her match in fellow lawyer Daniel
Rafferty (Pierce Brosnan), the two engage in a little friendly courtroom
competition that blossoms into a sexual relationship, and soon a drunken
wedding. When one of the biggest divorce cases in the city comes calling, Audrey
and Daniel find themselves on opposite sides of the case, which forces them to
evaluate just how their relationship came to be.
"Laws of Attraction" (IMDb listing) is a nice stab at a screwball romantic comedy, but it falls
short in both those areas. Directed by the unremarkable Peter Howitt ("Johnny
English," "AntiTrust"), "Attraction" begins as a loose battle of the sexes,
moves into fish-out-of-water comedy, then climaxes as a deeply serious
meditation on marriage. Those are heavy targets, and Howitt doesn't have the
facility to transition between the comedy and dramatic beats, leaving a rather
uninspired experience in his wake.
The most glaring hole in this suspiciously short (90 minutes) movie is that
Daniel and Audrey are at their best trying to one up each other in the games of
love and law. The film's opening act is dedicated solely to the foibles of their
reluctant courtship and professional battles. The film reaches a sweet pitch of
comedy and flirtation in these opening moments that is all but impossible to
resist. Howitt seems to feel differently, and eventually the comedy gives way to
an awkward sequence set rather inexplicably in Ireland (complete with Guinness
drinking contests and traditional step dancing), and a final act that halts the
comedic flow in a bid to make the audience truly care about these two characters
that they've barely met. "Laws" doesn't fuse together the way Howitt envisions
it, ending up as a grab bag of cinematic textures that make for an uneasy sit.
Fortunately, the two stars keep "Laws" from becoming a total drag. Don't believe
in the power of superstardom? Take a gander at how Pierce Brosnan and Julianne
Moore literally own the frame in their starring roles. Two actors of
immeasurable charm and wit, Brosnan and Moore do their very best to save the
material, and they only halfway succeed through their charisma and chemistry.
Moore is the real surprise, as she's never afforded opportunities to do comedy.
Though burdened with some eye-rolling character traits (sugaraholic, manhater),
Moore is responsible for the lion's share of the laughs, which is saying something as anyone who saw her try comedy before in 2001's "Evolution" knows. Breathtakingly
captured by ace cinematographer Adrian Biddle ("The World Is Not Enough,"
"Willow," "Aliens"), Moore is a treat to watch, double-fisting pink snoballs and
working overtime to save this sinking ship. I commend her effort, and I must
admit that I watched in awe as she almost single-handedly carried the movie.
Filmfodder Grade: C